Serif typeface

from 205TF
designed by Alice Savoie

4 Styles

2 Weights: Regular and Bold
with matching italics

Best for

  • Headings (display text)
  • Long reading text (body text)
  • User Interfaces (functional text)

License starting

around $250 (bundle)

Specialty

A contrasting serif with elegant details that’s ideal for larger body text, editorial design, logotypes, and refined headings with a unique touch!

My Romain 20 Font Review

Are you familiar with that: sometimes it takes only one character to fall in love with a typeface? With Romain 20 it only took the ‘A’ to blow me away … Am I weird? Yes! But I’ll invite you to be weird with me here. This French serif font combines elegant and yet durable shapes in a contrasting text typeface. Something that will give your typography a unique twist. So let’s discover its details and then see what you can use them for!

C'est fantastique! Even though you could lose yourself in all its adorable details, Romain 20 is best suited for larger text sizes. Its generous and sturdy proportions make it highly durable, while the distinct  contrast give this serif typeface a certain charm and finesse. A good Mix of Soft & Robust. Italics are very readable due to their width.
Romain 20 is made for larger body text, but it also performs quite well for a little display text.

As already said, this extraordinary uppercase ‘A’ took me in a snap with its snappy apex. Can I feel a broad nib pen here? Also at its counterpart, the spirited descender of the lowercase italic ‘f’. This is where you can also find an elegant yet playful foxtail ball terminal – yes, I googled how these are called. This is all rounded out with bracketed serifs and fairly wide proportions.

The upppercase a with a spiky, split apex. Bracketed serifs shown at the lowercase “n”, a spiky descender at the italic “f“ and lovely foxtail ball terminals at the lowercase “s”
Look at Romain 20’s refined details – it’s pure eye candy!

But what does this mean for body text now? Romain 20 was definitely designed with that in mind. Its spacious design – even with the italics – and its availability as a classic set of two weights show that. However, because of the typeface’s relatively strong contrast, it needs to be set at a minimum size of at least 18 pixels. Otherwise, it just looks too busy – especially on screen. But see for yourself below.

Romain 20 is gorgeous, but in my opinion, it needs to be set at a certain minimum font size to be pleasant to read. I recommend using a font size larger than 18 px. At much smaller sizes, like 16 px here, it looks quite busy due to its fairly high contrast.
🤔 At small body text sizes romain seems quite busy
😃 I recommend setting it larger so that its details can shine!

Bringing together elegance and stability in one typeface is quite a task. But on my search for similar fonts, I also discovered a few free alternatives that go into a slightly different direction. If you’re curious to explore free alternatives, I’ve gathered a few for my Patreon supporters – check them out here!

See Free Font alternatives on Patreon
See free font alternatives on Patreon.

Overall, I recommend using Romain 20 for larger body text with an editorial design touch. It’s also a great fit for elegant logotypes and headings, though its generous spacing may feel too roomy for large display text. Be sure to test it with the trial fonts before licensing.

Font Pairings with Romain 20

Romain 20 is a quite dynamic, contrasting serif typeface. Here are some font pairing suggestions for smaller body text, functional text and headings.

Romain 20
Romain 20
  • Headings
  • Copy
Commissioner (free)
Commissioner (free)
  • Headings
  • Copy
  • UI Text

Learn more about pairing typefaces using the Font Matrix.


How do you feel about Niven’s elegant vibes? Would it fit into one of your projects? Drop your thoughts in the comments and suggest the next font to review!

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Edition #191, published

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