Slab serif, Sans-serif Superfamily
5 weights: Thin to Black
with matching italics
in Slab serif, and Sans-serif
License for web/app usage
Single: from $ 60
Family: from $ 300
Superfamily: from $ 500
- Headings (display text)
- Long reading text (body text)
- User Interfaces (functional text)
Charmingly clunky, refreshingly wonky, constructed, but in a handmade way.
My thoughts on Tarnac & Tarnac Sans
I have never been to France, but I can vividly imagine home some old road signs on the countryside, look like Tarnac. This typeface has such a beautiful feel of imperfection, and being hand made. Designed by Marc Rouault and released by Sharp Type, it goes back to the slab serifs of the early 1900s. They were obviously made for display text – headlines, posters, and the bespoke classic French road sings “plaques Michelin”.
The approach, for the sans-serif, was cutting the slabs off. Which interestingly was the origin of the first sans-serifs in the early 1800s (I only learned this recently on a great episode of the Weekly Typographic Podcast). This way, refreshingly wonky Tarnac Sans was created. It still is rather loosely spaced. Also, the punctuation marks are very strong (see the dot of the i), like if the slabs were still there. The italics are special, too. They are not slanted, but actually rotated, which seemed to be common in sing painting at that time in France.
Tarnac and Tarnac Sans make a good choice, if you want to convey a rational, but still approachable, warm feeling with a vintage touch, in headings or other display text. It looks constructed, but in a handmade way. For a little reading text, it is okay, don’t use it for more than that. After all, these are display typefaces.
What do you think? Is Tarnac or Tarnac Sans something for an upcoming project? Tell me in the comments below!